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About the Golden Dragon Acrobats
Acrobat History
The
ancient art of Chinese Acrobatics is an old and long running tradition
that began in China well over two thousand years ago. Over its long and
rich history it has developed as one of the most popular art forms
among the Chinese people. While many historical records provide
evidence for the development of Chinese acrobatics as far back as the
Xia Dynasty (4000 years ago), it is most commonly held that the art
form did not become wildly popular until approximately 2,500 years ago
when it began to capture the attention of the country's powerful
emperors.
During the Warring States Period (475 BC - 221 BC)
acrobatics in China began to evolve from the working lives of its
people. Instruments of labor, such as tridents and wicker rings, and
articles of daily use such as tables, chairs, jars, plates and bowls
began to be used as performance props. This unorganized form of
entertainment and leisure eventually evolved into a form of performance
that became recognizable to the Chinese people.
During the Han
Dynasty (221 BC - 220 AD) these rudimentary acts of acrobatics
developed into the “Hundred Plays”. More contents and varieties were
quick to develop. Musical accompaniment was soon added to the
performance as interest in the art form grew among the emperors. During
the Tang Dynasty (618 - 907 AD) the number of acrobats greatly
increased as the skills of each individual performer slowly began to
become much more precise and amazing.
Since these early times,
acrobatics have evolved into many forms of performances including
dance, opera, martial arts, and sports. However, the impact of Chinese
acrobatics goes far beyond the boundaries of performance as it has
served an important role in the cultural exchange between China and
Western nations including the United States. The citizens of China
continue to present their acrobatic art for the world today, as it
portrays the hard working nature of their people and sets forth an
example of the rich traditions of Chinese culture. |
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